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Thursday
Jan262012

No Good Deed

I am hard at work revising The Book of Jer3miah, which is due to the publisher next Tuesday! This means I haven't had time to come up with new blog posts for you. To tide you over until I get back, here's a short story I wrote a couple of weeks ago. Oh--and it's based very closely on a true story. There is only one fictional detail (other than the names); I'll let you guess what it is.

"No Good Deed"

by Luisa Perkins

Worst visiting teaching moment ever? Absolutely.

Julie Parker bites the insides of her cheeks in an effort to stave off tears. Gripping the steering wheel, she relives her humiliation. 

Taking Sister Green’s cat to the vet had seemed like a concrete way to help. But the hissing, snarling thing refused to get into its carrier, finally raking open Julie’s forearm from wrist to elbow. She let a choice swear word fly, making Sister Green’s watery eyes go wide behind her bifocals. Julie pressed a dishtowel to her bleeding arm and called Dr. Baxter.

“Let’s reschedule,” the vet advised. “And next time you try to get Tux into his carrier, wear welding gloves.”

Right, Julie responds mentally as she drives north. Because I have a pair of those just lying around. And assuming there is a next time.

Sister Green had probably been excited when Bishop Parker’s wife was first assigned to her, but Julie is willing to bet that the octogenarian convert will call the Relief Society President today and ask for someone else. She fumes as she imagines the conversation.

Behind her, Faith sits in her car seat happily chewing on her Eeyore rattle. At least Julie hadn’t sprung for a babysitter. As it is, she resents that her morning has been wasted. She feels like a Pharisee, but it irritates her to realize that there is no way she can salvage today by counting it as a proper visit on her report. No spiritual message, no prayer. She didn’t even bring a treat, since Sister Green is diabetic.

“What was the point, huh, Faith?”

Julie passes Greymoor, which means she’s seven minutes from home. As always, the crucified Christ marking the Franciscan abbey’s entrance looks anguished, even though festive potted Easter lilies surround it. Driving by all winter long, Julie has fought the bizarre impulse to stop and cover the statue with a blanket. Poor Jesus always looks so cold, even now that spring has come to New York.

Just before the turnoff for Route 403, a tiny figure in black hobbles up the side of the road. Why would anyone walk up Route 9 except in case of emergency? It’s far too busy for casual strolls.

A semi-trailer several cars ahead speeds past the person, and the wind of the truck’s wake nearly knocks her over. It’s a “she,” Julie realizes—a nun. A tiny, ancient nun in the traditional long habit; she looks like a child dressed up for Halloween.

The nun stops to examine a tree, heedless of the fast-moving traffic that threatens to blow her off her feet. Innocent wonder suffuses her weathered face as she gazes up at the gaudy new foliage. She stumbles as a second truck blows by her, then she almost falls into the path of another car as she rights herself. No one stops or even slows down.

Concern washes over Julie. After passing the woman slowly, she makes a U-turn and parks on the shoulder on the other side of the road.

“Be right back, Faith,” she mutters. She turns on her hazard lights and gets out of the car.

The nun notices Julie, her face lighting up as if she recognizes an old friend.

Julie waves. “Stay there, please!” she calls out, afraid the woman will cross without looking both ways. She waits for a break in traffic and runs across the asphalt to the nun’s side.

“Do you need help…” Mother? Sister? Julie doesn’t know how to address a nun. “…ma’am?” she finishes lamely.

“Oh, no, bless you.” She has a brogue as thick as Irish butter. “I’m headed home from my morning walk, thank you, dear.”

That can’t be right. “Where’s home?”

“I live at Greymoor.” The nun gestures up Route 9 in the opposite direction of the abbey.

Julie doesn’t want to embarrass the woman by pointing out the obvious. “May I give you a ride back, then?”

“Oh, yes, please!” The nun takes Julie’s arm with both of her own.

Julie holds onto her tightly as they cross together, then boosts the frail woman into the SUV and buckles her seatbelt for her. She’s probably too small to ride in the front safely, but they only have to drive a mile.

“I’m Julie,” she says as she gets into the driver’s seat and starts the car.

“Sister Bridget!” announces the nun.

Faith giggles, and Sister Bridget looks back and laughs along with the baby. The sound is contagious; Julie smiles, too.

“Is she your first?” asks Sister Bridget, still beaming at Faith.

“No, our sixth.”

The nun gasps, but not with the usual horror. “What a blessing!” she exclaims, patting Julie’s arm. At her touch, something within Julie shifts, as if an obscure burden has been lifted.

Julie glances at the crucifix as they enter Greymoor’s driveway. Up close, Christ’s gaunt face radiates agony. Sister Bridget crosses herself, her twisted, arthritic fingers mirroring the Savior’s tortured limbs.

“I’ve never been here before,” Julie says. “Where shall I leave you? At the office?” She nods at a dignified building surrounded by immaculately groomed shrubbery and swaths of sprouting daffodils.

Alarm furrows Sister Bridget’s brow, and it hits Julie that perhaps the nun’s “morning walk” was against abbey rules. Sister Bridget’s a bit of a rebel. The incongruity tickles Julie—though she hopes her passenger won’t get into any trouble.

The nun’s voice trembles. “If ye wouldn’t mind, my dormitory is just up the hill.”

“No problem.”

They pass a pretty little chapel, its gardens dotted with statues of saints. The road ends at a modest brick structure nestled underneath tall pines.

“Perfect!” chirps Sister Bridget, clapping her hands. Julie parks and helps the nun out of the car.

Safely on the sidewalk, the nun beams up at Julie once more. “Yer an angel,” she proclaims, throwing her arms around Julie’s waist. Julie hugs her back.

“No, I think you are,” she murmurs, the deep, throbbing scratches on her arm almost forgotten.

Tuesday
Jan172012

Secret Revealed!

The cat is out of the bag. The beans are hereby spilled. The Amazing Secret Project can now be shared with you!

A long time ago, I blogged about the web series The Book of Jer3miah as a fan. Now I get to tell you about it as a participant! It's very exciting to me. 

The first season of Jer3miah will be released on DVD by Excel Entertainment in March. The novelization I have written follows in August. 

I know; it feels like a long time away to me, too. But it will be here before we know it. In the meantime, feel free to head over to Tinder Transmedia if you want to know more about this fun and suspenseful series. Watch the webisodes! Play the Alternate Reality Game (ARG)! It's immersive and intriguing and there's a whole lot more to it coming in the months ahead.

Oh, and here: read the New York Times review. It's awesome. My favorite line: "Hey, when celestial smackdowns are a plot possibility, things can get pretty hardcore. And that makes for good web drama."

And then, on February 11, should you happen to be in or near Orem, Utah--join Jeff Parkin, Jared Cardon, and me at UVU at noon as we discuss Jer3miah and transmedia storytelling as part of the famous Life, the Universe, and Everything symposium on speculative fiction. The bonus is that people like Dan Wells, Brandon Sanderson, and Dave Farland will also be at LTUE--so come for the day if you can. I would love to see you there.

Saturday
Jan142012

Creation and Consumption

This is the first post ever wrote on this blog, originally published on 6 September 2006. I am hard at work on some deadline-driven writing at the moment, so I thought I'd repost this for those of you who haven't been with me from the very beginning.

If you look up "consume" in the dictionary, you’ll find that most of its definitions are negative ones—besides "to eat or ingest" there is "to waste or squander; to absorb or engross; to ravage or totally destroy." (The American Heritage Dictionary, third edition) However, we are named "consumers" by the media so often these days that the word no longer holds a negative connotation for us.

I find this desensitization to be a dangerous one, because I believe our society has led itself into an unhealthy imbalance as it has increasingly focused on the act of consuming. We are here on the earth to begin to learn how to become creators, not consumers.

The survival instinct of consuming requires no further honing or development on our part. Yet we seem to spend more time consuming or finding ways to be able to consume more. It is vital to our mental, emotional, spiritual—and perhaps economic—health that we find a way to balance the act of consuming with the act of creating in our daily lives.

Almost any type of work, from gardening to lawyering, can be a creative activity if we choose to make it so. When we clean the house, we create order. When we read a book, we recreate for ourselves the world the author has already created. When we exercise, we create new muscles and blood vessels. When we take care of children or parents or neighbors, we create bonds of love.

For me, creativity is part of the process of living a rich life. Hugh Nibley wrote, “Who then is to judge what is good, true, and beautiful? You are. Plato says it is...by anamnesis, the act of recalling what we have seen somewhere before...We recognize what is lovely because we have seen it somewhere else, and as we walk through the world, we are constantly on the watch for it with a kind of nostalgia, so that when we see an object or a person that pleases us, it is like recognizing an old friend; it hits us in the solar plexus, and we need no measuring or lecturing to tell us that it is indeed quite perfect. It is something we have long been looking for, something we have seen in another world, a memory of how things should be." (Hugh Nibley, Approaching Zion)

Mark Helprin wrote, “One lives for a very short time, and life is incomparably precious. To live has much less to do with the senses or with ambition than with the asking of questions that never have been surely answered. To ask and then to answer these questions as far as one can, one needs above all a priceless and taxing involvement with truth and beauty. These are uncommonly plentiful in music and painting, in nature itself, in the sciences, in history, and in one's life as it unfolds—if one labors and dares to see them.” (Mark Helprin, “The Canon Under Siege”)

Our minds are like muscles, which atrophy and become flabby if not used. Exercise has holistic benefits, which flow to other areas of our lives. As we begin to flex our creativity, we will find ourselves more able to deal with challenges which confront us, more adept at critical thinking and problem solving; better equipped to make informed decisions; increasingly able to form our own opinions; more disciplined. We will spend less of our time in idle consumption.

Monday
Jan092012

Clearly, he could see that she raised an eyebrow at him with gritted teeth and bravado.

Ah, how I love my beta readers. Truly, madly, and deeply. 

I composed the title of this post from words and phrases that a dear beta reader pointed out I had egregiously overused in my first draft of the Amazing Secret Project

(Also abused: "actually," "however," "he noticed that," and "seemed to.")

Now, remember: when I drafted the ASP, I was writing as fast as I could, not taking time to tinker with my prose at all. And I did give it a once-over before sending it to my betas--trying to avoid embarrassing spelling, grammatical, and usage errors as much as possible.

But then, apparently on that re-read, I got so sucked into my own story that I missed several prominent tics in which I had indulged while writing for my life. Oops.

This is where other eyes serve the writer so well.  They quickly and efficiently recognize problems that the writer, suffering from a certain kind of creative myopia, is too close to see. 

Writers--especially those planning to self-publish--would do well to choose several beta readers to read their manuscripts before said manuscripts see the light of day, where "light of day" is defined as being put in front of a potential agent, editor, or book purchaser.

Choose a reader who is picky about mechanics--spelling, grammar, and usage. Choose one who is far outside your target audience. Choose one who reads a ton within your genre. Choose another who reads widely, but not necessarily within your genre at all. Choose someone who is unfamiliar with the setting/culture of your story. You want varied points of view--and you want people who won't just say/write, "I loved it!" (That is your spouse's/best friend's/children's job.)

I chose five people--two men and three women--and asked them to read my manuscript and point out any obvious-to-them problems before I gave it another polish and sent it to my collaborators for their evaluation. All five gave me invaluable and timely responses, but the interesting thing to me was that, while no one's feedback contradicted anyone else's input, almost none of it overlapped, either. 

One reader pointed out a big failure on my part to characterize someone as sympathetic. Another pointed out that the story's climax lacked tension.  Another got confused between characters--and when it comes to confusion, my position is that the reader/customer is always right. The writer has the burden of writing scenes clearly enough so that the reader doesn't have to fall out of the story in order to puzzle something out.

Fortunately for me, all five had really nice things to say about the story, too. But here's the other great thing--I'm past the point where criticism (at least, fair and asked-for criticism) hurts me personally. Years ago, it would crush me to have someone point out that my writing was less than perfect. Nowadays, I welcome any way to improve my work. But, hey--the compliments were great to read--and a sign that I had done some things right.

I made a list of all of the story's problems as pointed out by the formidable betas, then spent several days rewriting sentences and paragraphs and scenes until I had crossed the last problem off the list. Then I sent the manuscript to my collaborators--who told me last night that so far, they love what I've done.

Thanks, betas. You made my book much, much better. I owe you, and you'll all be featured in the acknowledgments once the book is published in August. 

Saturday
Dec312011

A Crack in Everything: The Best of 2011

This time last year, I characterized 2010 as my most difficult year ever.  2011 was much better: still hard, but with lots of good stuff, too. I don't regret the trials I've experienced over the past two years. Looking back, I am reminded of those lines from Leonard Cohen's "Anthem": "There is a crack in everything/That's how the light gets in." I've been blessed with many glimpses of light in past months, which means I have to be grateful for those cracks, right?

Anyway, here are my highlights of the past year.

Best Books Read:

This year, I’ve decided to rank only books I read for the first time (no re-reads, as in years past). I’m also only ranking books by writers whom I don’t know personally.

1. The Way of Kings, by Brandon Sanderson

2. A Dance with Dragons, By George R. R. Martin

3. Change Your Questions, Change Your Life, by Wendy Watson Nelson

4. Pathfinder, by Orson Scott Card

5. Battle Hymn of the Tiger Mother, by Amy Chua

6. Matched, by Ally Condie

7. The Healing Spell, by Kimberley Griffiths Little

8. Little Elvises, by Tim Hallinan

9. Sweater Quest, by Adrienne Martini

10. Save the Cat!, by Blake Snyder

Now I’ll list some outstanding books written by people I do know.  These are in no particular order—but they’re all worth your time.

Band of Sisters, by Annette Lyon

Keep Mama Dead, by S. James Nelson

I Don’t Want to Kill You, by Dan Wells

Not My Type, by Melanie Jacobson

The Scorch Trials, by James Dashner

Pumpkin Roll, by Josi Kilpack

Variant, by Rob Wells

Special Mention: Unwound, by Lee Ann Setzer—This book isn’t published yet. Lee Ann is in my critique group, so I got the immense privilege of reading this YA historical fantasy a few weeks ago. What. A. Joy.  Definitely one of the best books I read this year. My prediction: Lee Ann is the next Shannon Hale. Remember, you read it here first.

Best Music Purchased:

1. “Noisy Birds” (and so many other fantastic tracks), by Fictionist

1. “The Bird Song” (and the rest of the new record), by The Wailin’ Jennys

1. “Born on a New Day,” by The King’s Singers

4. “Sweet Bells” by Kate Rusby

5. “This Little Light of Mine,” by The Lower Lights

6. “You’re My Best Friend,” by The Once

7. “Baby We Were Young,” by The Dirty Guv’nahs

Best Movies Seen (I am wayyyy behind on movie viewing right now):

1. Jane Eyre

2. Midnight in Paris

3. Harry Potter 7.2

4. Super 8

5. Moneyball

6. The Help

7. Cowboys and Aliens

8. The Adjustment Bureau

9. Sherlock Holmes: A Game of Shadows

Most Disappointing Movie:

Hanna

2011 Movies on my To See List (See? Wayyy behind):

We Bought a Zoo

Hugo

The Adventures of Tintin

Mission Impossible: Ghost Protocol

Kung Fu Panda 2

Queen to Play

The Tree of Life

Dream House

Yarn of the Year: Blue Moon Fiber Arts Woobu in the Ravenscroft colorway

Best Meals Eaten:

1. Private party at the St. Pancras Renaissance Hotel, London

2. Craft, NYC

3. Maze, NYC

4. Thanksgiving Dinner, Cold Spring, NY

5. Em’s, Salt Lake City, UT

6. Café Cluny, NYC

7. Bernard’s Inn, Ridgefield, CT

8. Keens Steakhouse, NYC

9. Shake Shack, Citifield, Queens, NY

10. Valley, Garrison, NY

Best Theatre of the Year:

MusicalHugh Jackman: Back on Broadway—DIVINE.

PlayThe Mountaintop, starring Samuel L. Jackson and Angela Bassett—TRANSCENDENT.

ConcertGreat Big Sea—AGAIN and ALWAYS.